This class will be taught via asynchronous remote instruction. Time conflicts are allowed for this class.

From the conversion scene that begins the Dante’s Comedy to that at the narrative center of Alessandro Manzoni’s The Betrothed, a key plot device in Italian literature is the conversion scene or narrative. In this course we will read from texts, including novels, poems, operas, songs, and films, that represent the conversion of characters, groups, and objects. To aid our critical discussion, comparison, and reflection on the narrative significance of these scenes, many of which are told or reported as narratives themselves, we will supplement our primary readings with materials by thinkers such as Augustine, John Freccero, and Levinas.

All readings are provided in English. Writing assignments will include three longer papers of increasing size, along with weekly reports and journal entries.

Prerequisite: Successful completion of the “A” portion of the Reading & Composition requirement or its equivalent. Students may not enroll in nor attend R1B/R5B courses without completing this prerequisite.

Instructor pending appointment.